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None of the city’s newspapers reported it, and of the outlets that did, not a single one was able to confirm it officially. The incident was blogged by a few music sites the next day, but the write-ups had scant information about where, why or how it had happened. Dewar left no note other than a terse last message he blasted out to his friends and fans on Twitter, one minute before midnight: “The end.” He jumped into the cold December night just moments later.įor all its tragic weight, Steez’ death was shrouded in uncertainty. The young rapper had leapt off a building early in the morning before Christmas Eve, propelling himself so far that he landed in the street. But just two days later, Steez, 19, was found dead on a prominent thoroughfare in Manhattan’s Flatiron District. Pro Era dropped their first full album together, PEEP: The aPROcalypse, on December 21, 2012, with Steez featured on five tracks. And their crew, Pro Era, which had quickly grown to 12, was at the forefront of a hip-hop scene centered in Flatbush, with groups like The Underachievers and Flatbush Zombies all united under a movement Steez had named Beast Coast. Joey, two years his junior, was getting known as one of rap’s brightest young stars, quickly winning over fans and the media alike with his sly demeanor and lyrical skills. Dewar, rapping now as Capital Steez (stylized as Captial STEEZ), had emerged as one of the most dynamic lyricists from the city in recent memory, a 19-year-old MC with a critical mind and a sharp eye for irony, fresh off the release of a formidable first mixtape, AmeriKKKan Korruption. Less than two years later, the group was well on its way toward achieving that goal. Steez even had the name picked out-Pro Era, short for Progressive Era-a title with a purpose fixed within the two words: they were going to do nothing less than spark a new epoch in the storied history of New York rap. Riding the bus home afterwards, Steez began talking with Powers Pleasant, 17, a drummer and producer who had DJed for him that night, when they were both struck by the idea of forming a hip-hop group. It felt so right with all of us rapping.”
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“Whatever it was, the vibe just felt so great. “We had the most legendary cypher,” says Joey Bada$$, Steez’ high school friend and rhyming partner. He told five of his buddies to meet him outside, where they started freestyling, performing for nobody but themselves. It was March of 2011, and Courtney “Jamal” Dewar, then 17 and known as Jay Steez, had just performed for some of his friends at a $10 cover night at a small soul food restaurant in Clinton Hill, where he wasn’t even listed on the bill. From the magazine: ISSUE 89, December 2013/January 2014īrooklyn’s latest rap renaissance was born on the back of a bus, at the end of a long night.
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